Marvel Tales #230, 231 and 232

Todd McFarlane did cover art for these three issues. Marvel Tales #230 (Mid November 1989) contains the story titled "Bewitched, Bothered and Be-Dazzled" written by Marv Wolfman. Spider-Man teams up with Dazzler against Lightmaster. Spider-Ham is featured in a backup story titled "Cult of Dolts" written by Danny Fingeroth.

Marvel Tales #231 (December 1989) features "Something This Way Wicked Kills!" written by David Michelinie. Spider-Man teams up with Paladin against Thermo, a scientist gone mad after a lab accident (this seems to happen a lot in the Marvel Universe).

Spider-Man teams up with Dazzler and Paladin in Marvel Tales #232 (Mid December 1989) in a story titled "Critical Mass" written by Dave Kraft. The trio fights Thermo, who takes over the leadership of a cult.

Marvel Tales #208

Red Sonja travels through time to help Spider-Man in Marvel Tales #208 (February 1988). Terry Austin and John Byrne did the cover. "Sword of the She-Devil" was written by Byrne, who also shared the penciling with Chris Claremont. The issue was inked by Austin, colored by Andy Yanchus and lettered by Tom Orzechowski. Roy Thomas was consulting editor and Jim Shooter was editor in chief. Basically, Mary Jane works her way into a museum while Spidey battles demons summoned by Kulan Gath (a security guard changed into him). She is drawn to a sword and is transformed into Red Sonja. The sorcerer captures them and casts a spell so the hero can understand him. He manages to get free before releasing the fiery redheaded Amazon. They battle Kulan Gath in and out of the museum. The look on Red Sonja's face as she breathes in the foul air of New York City is priceless. The security guard returns to normal after being knocked out as Kulan Gath by Spider-Man. Red Sonja drops her sword and leaves the body of Mary Jane.

This issue also features a Peter Porker, the Spectacular Spider-Ham backup story titled "Your Chitlin' Heart" or "Bacon Up is Hard To Do". Spider-Ham tries breaking up with Black Catfish. The story was written by Steve Mellor, penciled by Joe Albelo, inked by Pierre Fournier, lettered by Rick Parker and colored by Andy Yanchus.